Dolce Violins

Moses Sedler

H.R. Pfretzschner (1857-1921)

By combining French, German, and English influences, Hermann Richard Pfretzschner secured his place in music history with a truly international style of bow-making. Born in Germany’s “Musikwinkel,” he displayed musical talent from a young age, and he began training under his father, Carl Richard Pfretzschner. In 1871, Pfretzschner travelled to Paris to work in Jean-Baptiste …

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Paul Alexandre Mangenot – Violin Maker – Mirecourt France

Paul Alexandre Mangenot – Violin Maker (1862 – 1942) Paul Mangenot served his apprenticeship with Paul Bailly before going on to work at some of the most important French violin making workshops of the time. Mangenot worked in Lille at the workshop of Joseph Pierre Hel, and in Paris at the renowned violin workshop of Charles Jean Baptiste …

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Paul Bailly – Violin Maker – Paris France

Paul Bailly Violin maker (1844 – 1907) A member of a family of Mirecourt violin and bow-makers, Paul Bailly was born in 1844 and studied with Jules Gaillard before moving to Brussels to work for Nicolas Vuillaume. He then moved to Paris to work for Nicolas Vuillaume’s famous brother, Jean-Baptiste Vuillaume. He travelled extensively, working …

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Honoré Derazey Violin Maker – Mirecourt France

Honoré (Jean-Joseph) Derazey Violin maker Honoré Derazey was born in Darney France, a small town near Mirecourt in 1794. He apprenticed in Mirecourt before moving to Paris to work for a number of shops including J.B. Vuillaume between 1830 and 1839. In 1840 he returned to Mirecourt to establish his own workshop which quickly became …

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Antique violins – Why violinists love to play centuries old violins

Like a fine wine, violins just get better with age. Vintage violins allow us to touch and listen to the past, bringing our musical lineage to life. When you play an antique violin, you become a part of history. The instrument’s voice sings the story of its long journey to you. Maybe it began its …

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Professional Violas – Why Owning a Modern Viola is the Best Choice

High-profile string players are always raving about their antique instruments from master makers. Yo-Yo Ma famously plays an eighteenth-century Domenico Montagnana cello, and Hilary Hahn’s violin of choice is a Jean Baptiste Vuillaume copy of an even older model, Niccolò Paganini’s beloved Guarneri del Gesù “Il cannone.” But what about violists? While there are some …

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