Stefano Scarampella (1843–1925): A Central Figure in Mantua’s Violin Making Revival
Stefano Scarampella was one of the most influential Italian violin makers of the early 20th century, widely regarded for his bold, expressive style and strong connection to the Mantuan tradition. Born in Brescia in 1843, Scarampella came from a family rooted in woodworking and musical craftsmanship. His older brother, Giuseppe Scarampella, was already an accomplished luthier, and it is likely that Stefano learned the fundamentals of the craft under his guidance.
Though Scarampella initially worked as a carpenter—reportedly on the Brescia–Mantua railway—he eventually turned to violin making in earnest in Mantua, where he settled in the 1880s. His instruments draw heavily on classical Italian models, especially those of Guarneri del Gesù, Stradivari, and Balestrieri, but they also display an unmistakable individuality. His scrolls are assertive, his corners squared and bold, and his f-holes long and slightly tilted—traits that contribute to the distinctive character of his work.
Scarampella developed a recognizable varnish palette over the years, ranging from soft amber to rich reddish and orange tones. His instruments are known not only for their visual strength but for their powerful, projecting tone—qualities that have made them popular with professional players across generations.
Despite being largely self-taught and starting later in life than many of his peers, Scarampella became highly productive. It is estimated that he built several hundred violins, violas, and cellos, with a level of consistency that reflected both his practical skill and deep understanding of sound.
In the final chapter of his career, Scarampella took on Gaetano Gadda as an apprentice. Gadda went on to become his most important successor, continuing many of his techniques and stylistic hallmarks after Scarampella’s death in 1925.
